Meteor's, Austin. Night. 2024 (Open Edition)
Fine art print on Matt Archival paper
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Description
Meteor's Night-time.
Evan Voyles. What a guy.
"I hope my signs make people’s heads spin, their jaws drop, and want to turn their car around".
You ain't wrong, Evan! I had no idea who Evan was before I visited Austin. The skies there are so dark at night that there's not really any street lighting. The first night I was there, I honestly couldn't believe what I was seeing. These things are phenomenal. So much so, I was amazed I'd never heard of them. People were looking at me like I had three heads when I was taking the photos and I wanted to shake them.
I knew I didn't have enough time on my first visit, so I planned to go back and spend 3 solid days getting as many of these as possible with the electric blue sunsets behind them.
This place is at the end of the strip, South Congress. Neon heaven if you ever get a chance to go. Those legs move too, I had to be very patient.
What is the difference between Open Edition and Limited Edition prints?
Open edition prints only come in one size and are simply printed on Matt Archival paper and shipped straight to you. There is no limit to how many will be printed.
Limited Edition prints are typically printed on a Gloss paper, come in several sizes and finish options (framing / acrylic mount), and are signed and editioned by Sam. There are a limited number printed in each size and once they're gone they're gone.
As featured in
Don't just take my word for it!
Samuels art makes our house feel alive and vibrant. I am forever finding new details within each image. Samuel was extremely helpful when helping us find the perfect images for our home. He was always extremely friendly and personable as well as highly professional.
Rickie Haywood-Williams, BBC Radio 1
His work is so unique and arresting. He is somehow able to capture the 'ordinary' in a way that makes it feel truly extraordinary. I'm so excited to see his work in our home.
Lisa Bowcot, Interior Designer
Could we ever need more insight than we do now about how to dry our hands in washrooms while touching almost nothing? Samuel Ryde, a British photographer, pays homage to air blowers
